0.316 Echiche
The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.
Hapụ: Jan 01, 1984
Oge ojiri gaa: 81 Nkeji
Asụsụ:
.Lọ nka:
Mba: United States of America